OPENSUTRA_ORG_0000003The Sutra of Burning Firewood is attributed to Master Hui as author and is a short Buddhist text. This release classifies it as a Buddhist canonical work based on the title and page images.
OPENSUTRA_ORG_0000010“Arhats Painted on Bodhi Leaves with Inscribed Eulogies” is a Buddhist visual work depicting the Sixteen Arhats painted and inscribed with eulogies on bodhi leaves, reflecting Arhat devotion and late Qing Buddhist painting and calligraphy practices.
OPENSUTRA_ORG_0000011“Eighteen Arhats Painted on Bodhi Leaves” is a Qing dynasty album of Eighteen Arhats painted on bodhi leaves, a visual work combining Buddhist Arhat devotion with leaf painting.
OPENSUTRA_ORG_0000015“Arhats Painted on Bodhi Leaves” is a Buddhist visual work on bodhi leaves produced in the Guangdong region around the eighteenth century, primarily featuring Arhat imagery.
OPENSUTRA_ORG_0000016“Collection of Colored Buddhist Images Painted on Bodhi Leaves” is an eighteenth-century Buddhist painting collection on bodhi leaves, containing multiple colored images of Buddhist figures and reflecting the relationship among the bodhi-leaf medium, Buddhist devotional imagery, Qing dynasty export art, and temple art.
OPENSUTRA_ORG_0000021The Gateless Barrier of Chan is a Chan gong’an collection composed by Wumen Huikai of the Southern Song and compiled by Zongshao. It contains forty-eight gong’ans with commentary and verses, and is a deeply influential Chan meditation text within the Linji lineage discourse tradition.
OPENSUTRA_ORG_0000029The “Illustrated Scroll of Buddhist Offering Items” is a pictorial resource related to Buddhist offering utensils and categories of offerings, attributed to Katsuragawa Hoshu. The entire scroll presents, through illustrations, the items used for offerings before the Buddha, possessing value as material for the study of Buddhist ritual, material culture, and painting history.
OPENSUTRA_ORG_0000031The “Illustrated Praises of the Sixteen Arhats” is an imperial mud-gold painted album from the Qianlong period of the Qing dynasty, consisting of images and praise texts for the sixteen arhat venerables, reflecting court Buddhist painting, arhat devotion, and the tradition of encomiastic inscriptions.
OPENSUTRA_ORG_0000032“Eulogies on the Eighteen Arhats Paintings” is a compiled work combining arhat images with literati inscriptions and eulogies, attributed to Su Dongpo's hymns and Wang Yanzhou's eulogies, dated 1687.